Filtering by: Art Placement/The Gallery
Multi-Artist Exhibition: Landscape Show
Nov
9
to 7 Dec

Multi-Artist Exhibition: Landscape Show

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Art Placement is delighted to present the “Landscape Show”, a showcase of the many exceptional landscape painters represented by the gallery, each with their own unique style and approach to the subject.

Stop in to view new and recent works by Kathy Bradshaw, Heather Cline, Louise Cook, Terry Fenton, Kelly Goerzen, Greg Hardy, Jane Harington, Clint Hunker, Nancy Lowry, Catherine Perehudoff, Rebecca Perehudoff, and Ian Rawlinson, alongside a selection of historical works by Reta Cowley, Dorothy Knowles, and Lorna Russell..

(*Written by The Gallery / art placement inc.)

Louise Cook, "Turning", 2024, oil on canvas, 18x24", framed, $1,700

Dorothy Knowles, "Bow Valley Series #17", 1991, oil on linen, 32x 0", framed, $21,000

Heather M. Cline, "Shelter, Lingering Belts", 2024, acrylic on panel, 24x36", unframed, $2,520 

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Multi-Artist Exhibition: Holiday Salon
Dec
10
to 31 Dec

Multi-Artist Exhibition: Holiday Salon

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Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving. Featuring a variety of mediums, subjects, and styles by our varied roster of gallery artists. Stop by the gallery during our regular hours to take in all of the little treasures, or view the installation images online.

(*Written by The Gallery / art placement inc.)

Gregory Hardy, "Pop of Green", 2023, acrylic on linen, 20x24", framed, $6,900

Yuka Yamaguchi, "Forget Me Not", 2023, coloured pencil on paper, 11x11", framed, $1,150

Jonathan Forrest, "December Sketches 2023 #6", 2023, acrylic on paper, 30x22", $2,200

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Multi-Artist Exhibtion: AB(stract) EX(hibition)
Sept
27
to 2 Nov

Multi-Artist Exhibtion: AB(stract) EX(hibition)

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The Gallery / art placement inc. is delighted to present a group show, “AB(stract) EX(hibition)”, featuring several of the many gallery artists also working in the fields of abstraction and non-objective art. Enjoy the variety of styles and approaches, with each artist offering their own unique perspective. Including new and recent works by Douglas Bentham, Robert Christie, Jordan Danchilla, Lorenzo Dupuis, Lynne Graham, Steph Krawchuk, Sandra Ledingham, and Mel Malkin, as well as a selection of historical works by famed Saskatchewan colour-field painter William Perehudoff.

Melvyn Malkin, "Untitled", 2021, oil pastel on paper, 12x9", framed, $450

Betsy Rosenwald, "Pink Tenement", 2021, oil on wood, 12x10", unframed, $660

Allyson Glenn, "The Swan 5", 2023, linocut and cricut stencil monoprint and acrylic on paper, 10 1/4x8 1/4" (visible), framed, $450

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Jonathan Forrest: Here and There
Sept
27
to 2 Nov

Jonathan Forrest: Here and There

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At once minimal and painterly, loose and controlled, geometric and gestural, the works demonstrate Forrest's unique aesthetic sensibility and masterful sensitivity to the medium of paint. Richly saturated colors, elegantly matte surfaces, and an improvisational play with density and structure define this group of works, Forrest’s latest contribution to the lively field of contemporary abstraction.

Born in Scotland, Forrest immigrated to Canada as a teenager, coming of age as a painter in Saskatoon in the 1980s. He relocated to Vancouver Island in 2013 but has maintained a summer studio in rural Saskatchewan, dividing his painting time between the two locations. In a literal sense, the title of the exhibition speaks to this geographic split, acknowledging the influence of place and some of the ways it finds expression in the work. Not necessarily the visual aesthetics of the landscape--the differences in topography, sight-lines, or the quality of the light--but rather in how the studio environment and working pace contribute to the development of the paintings. Vancouver Island offers Forrest proximity to the comforts of home, studio time there is folded into his daily routine. The rural studio, on the other hand, is spacious but also isolated, it necessitates an intensive and largely solitary way of working, longer days, limited contact with the outside world. Subtly, these factors change the work. Ultimately, one of Forrest's greatest strengths as a painter is his openness to these changes. When he arrives in Saskatchewan, it is always with a plan for how he will start out, but also with an eagerness to "see how it goes".

In a less literal sense, the easygoing offhandedness of the exhibition title captures this attitude, which seems so fundamental to Forrest's identity as a painter. Despite his decades of experience, his goal in painting is not "mastery" per se, but rather a state of almost perpetual discovery. Paint is a mercurial medium, fluid, malleable, it bleeds, stains, runs, and drips. The painter's task is arguably to shape the medium to their will. Any painter with a degree of experience learns a great many techniques to make the paint do what they want it to do. A responsive painter learns how to collaborate with the medium; not to beat it into submission but to work with it; not to deny or kill its fluid malleability, but to guide and harness it for dynamic effect. Forrest's latest paintings do just that, finding a compelling balance in the medium's inherent tensions.

(*Written by The Gallery / art placement inc.

Jonathan Forrest, "Night Owl", 2024, acrylic on canvas, 32x24"

Jonathan Forrest, "Blue Crescendo", 2024, acrylic on canvas, 32x24"

Jonathan Forrest, "String Section", acrylic on canvas, 32"x24"

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Visual Arts Faculty at the School for the Arts: in, as, on, through
Aug
24
to 28 Sept

Visual Arts Faculty at the School for the Arts: in, as, on, through

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For the third time since 2016, The GALLERY / art placment inc. is pleased to host an exhibition of work by the Visual Arts Faculty at the School for the Arts, University of Saskatchewan. “in, as, on, for, through” opened August 24 and runs until September 21. This multi-artist exhibition includes artwork from artists such as Lisa Birke, Jennifer Crane, Allyson Glenn, Cam Forbes, John Graham, Mary Longman, Ella Dawn McGeough, jake moore, Alison Norlen, Tim Nowlin, and Susan Shantz. A closing reception will be held Saturday, September 14 from 2:00 p.m. – 4:00 p.m.

Mary Longman, “Passage”

Jennifer Crane, “Field Test”

Lisa Birke

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Multi-Artist Exhibition: Summer Selections
Jul
6
to 3 Aug

Multi-Artist Exhibition: Summer Selections

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The Gallery / art placement presents “Summer Selections”, a group exhibition bursting with life and colour inspired by summer in Saskatchewan. This show offers a variety of gorgeous landscape views, striking abstract compositions, and artwork that blend the two. The show runs from July 6, 2024 until August 3, 2024 at The Gallery / art placement in downtown Saskatoon.

Gregory Hardy, “Pasture, Late Day”, 2024, acrylic on panel, 12x16”, framed, $3,700

Dorothy Knowles, “Fields Off the Shellbrook Road”,1981, oil on linen, 32x50”, framed, $26,300

Rebecca Perehudoff, “Other Side of the Lake”, 2023, acrylic on canvas, 27 ¾ x58 ½ “, framed, $4,400

Jodi Miller, “In Perfect Harmony”, 2024, acrylic on canvas, 40x40”, unframed, $2,900

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Multi-Artist Exhibition: Spark Your Pride
Jun
18
to 29 Jun

Multi-Artist Exhibition: Spark Your Pride

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Coinciding with Pride Week festivities in Saskatoon, Art Placement is pleased to host "Spark Your Pride", a group exhibition of LGBTQIA2S+ artists from the Saskatoon community.

Spark Your Pride has become an annual celebration of older/senior/elder 2SLGBTQ+ folk that takes place during Saskatoon's Pride Festival. Spark Your Pride is hosted by the Western Development Museum (WDM), which has a mandate to acquire, exhibit, and preserve the stories that make up Saskatchewan's diverse history, including as many perspectives as possible. Since 2020, Spark Your Pride has offered a variety of programs and activities during Pride, including banquets, performances, concerts, poetry readings, art exhibits, and the transformation of the WDM’s Boom Town into “Queer Town”, a street festival that celebrates the lives and culture of Saskatchewan’s lesbian, gay, transgender, queer, and 2Spirit people. Click here for more information about the Spark Your Pride events taking place this week at the WDM.

For 2024, Spark Your Pride brings their art exhibition to Art Placement in downtown Saskatoon. The artists included explore a range of subjects, mediums, and styles. Featuring work by Joseph Anderson, Jean Dudley, Dave Heinrichs, Steph Krawchuk, Rebecca La Marre, Dane Moore, Levi Mathew, the Estate of Peter McGehee, Tessera Nova, Donald, Cesar Alejandro Romero, Evan Rystrom, Brett Schiisler, Leif Shantz, Carey Shaw, Nguyen Tran, Jo Van Young, and Azby Whitecalf.

(*Written by The GALLERY/ art placement)

Reception: Saturday, June 22 from 2:00 p.m. – 4:00 p.m.

Donald, “Cranberry Flats , 2023”, watercolour on paper, 9x12”, $575 (+taxes)

Dave Heinrichs, “(don’t make it) dark  #2”, 2024, acrylic on canvas, 26x20”, $750 ( + taxes)

Steph Krawchuk, “Untitled (no. 149 and 150)”, 2022, oil on panel, 10x8”, $450 each (+taxes)

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Paul Sisetski - Consider The Considering When All Things Have Been Considered
May
25
to 29 Jun

Paul Sisetski - Consider The Considering When All Things Have Been Considered

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The GALLERY / art placement invites you join them on Saturday, May 25, from 2:00 p.m. – 4:00 p.m., to celebrate the opening of Consider The Considering When All Things Have Been Considered.”

Art Placement writes the following about this exciting exhibition:

“Art Placement hosts "Consider The Considering, When All Things Have Been Considered", an exhibition of paintings and sculptures by Paul Sisetski. Sisetski has exhibited with the gallery in the past, we are delighted to have him back for this special guest exhibition, a reintroduction that includes both past and recent works.

Paul Sisetski’s work is immediately striking for its rawness. His subjects are rendered roughly with speed and forceful energy, paint applied in confident yet unruly strokes. The figures in his scenes are as energetic as his brushstrokes. Most often active and in motion, their bodies are stretched and perspectivally distorted, limbs elastically extended or bluntly foreshortened. Coming out of the expressionist tradition, Sisetski uses exaggerated color, frenetic marks, and twisting forms to achieve a visceral, emotional impact.

Considering Sisetski’s rough style and eccentric forms, it is tempting to place his work within the category of outsider or naive art. The designation is not entirely out of order, if nothing else giving some recognition to his identity as an artist with cerebral palsy. What such labels fail to acknowledge, however, is Sisetski’s insider status within the artistic community. He completed an MFA in 1995 and has been the focus of two solo exhibitions at the Mendel Art Gallery in 1990 and 2006. As a young man he traveled Europe, immersing himself in the paintings of Old and Modern Masters. He integrates his study of art history into his work with nods to Bosch, Bruegel, Daumier, Goya, Munch, Schiele, Soutine, and others. For Sisetski, art has been a means of communication but also a place of belonging.

Paul Sisetski was born in McCreary, Manitoba and currently resides in Saskatoon. He completed a BFA in 1989 and MFA in 1995 at the University of Saskatchewan. He has exhibited his work throughout the province in group and solo shows since the late 1980s. His works can be found in private and public collections locally and nationally, notably the University of Saskatchewan, SK Arts (Saskatchewan Arts Board), Mendel Art Gallery, and the Canada Council Art Bank.”

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Lorenzo Dupuis: TAPESTRY
Apr
13
to 18 May

Lorenzo Dupuis: TAPESTRY

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The GALLERY / art placement invites you join them on Saturday April 13, from 2:00 p.m. – 4:00 p.m., to celebrate the opening of “TAPESTRY”, a solo exhibition of new egg tempera paintings by Lorenzo Dupuis.

Dupuis has focused almost exclusively on the centuries-old medium of egg tempera for more than a decade, exploring its unique character and stylistic possibilities. These recent paintings showcase his continuing exploration, with exciting new elements and directions.

Dupuis makes his own paint, mixing pigment with egg yolk binder in exactly the same way that artists of the early Renaissance did more than five hundred years ago. Water-based and completely non-toxic, egg tempera is thinner and more translucent than oil. It also dries incredibly fast and is best applied in short strokes with fine brushes, characteristics that have influenced the stylistic aesthetic of Dupuis’ work. His surfaces are built up with many layers of interwoven strokes and hatch-marks, fields of marks that produce a flat, all-over effect. Always evolving, these latest works infuse new elements into the mix: colour that is brighter, bolder, and more varied, as well as larger, flatly painted shapes that punctuate the smaller-scale strokes.

 Dupuis plays with contrasts in colour, value, and scale to create a striking sense of form and space in these latest works. In one painting: larger, solidly painted shapes in a variety of colours float above a field of intersecting dash strokes. Compositionally, the work still achieves an all-over effect, but the heightened distinction between figure and ground creates a dynamic push-and-pull, with the “ground” receding further back into the illusory space of the picture than Dupuis’ works typically go. Other paintings incorporate modeling techniques to produce an almost opposite effect: the suggestion of forms that seem to come forward in space. Strategically varying the colour, value, and density of his hatch marks, Dupuis creates the illusion, from a certain distance, of three-dimensional forms that project outwards from the picture plane. Moving closer to the surface, the illusion dissolves and the paintings are seen, once again, as an interlocking matrix of marks on a two-dimensional surface. Throughout these and other works in the exhibition we find a masterful play with the dynamic opposition between appearance and reality that is arguably at the core of all serious painting.

  Lorenzo Dupuis, "Community", 2023, egg tempera on panel, 40x36", framed, $3,375

Lorenzo Dupuis, "Here, There and Everywhere", 2023, egg tempera on panel, 40x36", framed, $3,375

Lorenzo Dupuis, "In Doubt of Particles", 2023, egg tempera on panel, 40x36", framed, $3,375

Lorenzo Dupuis, "Infinity Goes on Trial", 2024, egg tempera on panel, 40x36", framed, $3,375

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Multi-Artist Exhibition: Community - selections by Lorenzo Dupuis
Apr
13
to 18 May

Multi-Artist Exhibition: Community - selections by Lorenzo Dupuis

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Art Placement is pleased to present this group show of works selected by Lorenzo Dupuis. Including several of the gallery’s represented artists as well as invited guests, Dupuis highlights some of the many local artists that have inspired, influenced, and engaged him throughout his artistic career. Featuring works by Marie Balthazar, Garry Berteig, Robert Christie, Louise Cook, Reta Cowley, Kim Ennis, Edward Epp, Terry Fenton, Jonathan Forrest,Clint Hunker, Steph Krawchuk, Degen Lindner, Nancy Lowry, Anne McElroy, Rob O’Flanagan, Gregory Pyra, Paul Sisetski, Marvin Swartz, and Glenn Veeman.

“It may be a myth to say that individuals make art. Rather, in my experience, communities make art. Throughout the ages, individuals encouraged and informed by communities made art. The Italian Renaissance School, the French Impressionist School, the Barbizon School, the New York School, the London School and the Emma Lake School are just some of the very many communities renowned for empowering individuals to effectively express themselves visually.

Like many others, I have benefitted by living in such a community. From my youth as a university student to today, I have been surrounded by informed and supportive friends who share my interests. I am in debt to them in numerous ways, particularly through ongoing conversations and studio visits that have spanned decades. The exhibition “Community” is an acknowledgement of this continuous support.”

-Lorenzo Dupuis, 2024

Terry Fenton, "Precursor (Saskatchewan)", 2015, oil on panel, 9x12", framed, $1,600

Reta Cowley, "Cascade Mountain From Vermilion Lakes", 1944, watercolour on paper, 10 1/4x13 3/4", ,framed, $1,800

Jonathan Forrest, "December Sketches #1", 2022, acrylic and charcoal on paper, 30x22 1/4", framed, $2,200 

Jonathan Forrest, "December Sketches #1", 2022, acrylic and charcoal on paper, 30x22 1/4", framed, $2,200 

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Multi-Artist Exhibition: SPRING CLEANING
Mar
2
to 6 Apr

Multi-Artist Exhibition: SPRING CLEANING

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Art Placement is pleased to host an exhibition of artworks by the staff and sessional lecturers in the Department of Art and Art History at the University of Saskatchewan. Featuring works by Joseph Anderson, Steve Bates, Terry Billings, Patrick Bulas, Ann Donald, Jasmin Fookes, Jesse Fulcher Gagnon, Xiao Han, Clint Hunker, Shelby Lund, Todd Lyons, Grant McConnell, Barbara Reimer, Frances Robson, Jordan Schwab, Jacob Semko, Laura St. Pierre, and Shawn Zheng.

University of Saskatchewan Staff and Sessional Exhibition: SPRING CLEANING

March 2 - April 6, 2024

Reception: Saturday March 2, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

For a more comprehensive view of the exhibition please visit: http://www.artplacement.com/gal.../exhibitions_images.php...

Xiao Han, "Yee Clun’s Lost Story", 2017, archival inkjet print ed. 2/10, 40x40”, $1500

Laura St Pierre, "Ark/Arche (ed 2/5)”, 2022, archival inkjet on hahnemuhle photo rag, 40x32.9", $3150 (framed)

Frances Robson, "Bella, before she lifts”, 2024, 3D iPhone scan, edited, and printed in full colour resin, with a plexiglass platform, 6.25x8.5x4” Not for Sale.

Joseph Anderson, "Study for a Figure at the Base of a Crucifixion (after Francis Bacon); or Self-Portrait Performing Bas Jan Ader’s I’m Too Sad to Tell You”, 2024, watercolor on paper, 10x8” (Not for Sale)

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LORNA RUSSELL: works from the estate
Jan
20
to 24 Feb

LORNA RUSSELL: works from the estate

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The exhibition, “LORNA RUSSELL: works from the estate", is on now from January 20 to February 24, 2024 at Art Placement Gallery in Saskatoon. Concurrently, the exhibit “The Landscape Tradition” also runs from January 23 to February 24.

LORNA RUSSELL: works from the estate

January 20 – February 24, 2024

Reception: Saturday, February 3, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

Please note that the Lorna Russell exhibition is a retrospective. Lorna was a beloved Saskatoon artist who passed away last spring at the age of 89. View the works online at: http://www.artplacement.com/gal.../exhibitions_images.php...

Lorna Russell, "Hidden Inlet, Evening", 2015, oil on canvas, 16" x 29 1/2", $2350

Lorna Russell, "Marigolds, Late Summer", 1993, pastel on paper, 13 3/4x 21 3/4", $1700

Lorna Russell, "Vesse's Road, September", 1992, pastel on paper, 14 1/2x22", $2350

Lorna Russell, "Untitled (landscape, open line)", 1995, pastel on Sennelier paper, 18 1/2x 19 7/8", $2600

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Graham Fowler & Raymond Stephenson: Visual Music
Dec
15
to 30 Dec

Graham Fowler & Raymond Stephenson: Visual Music

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VISUAL MUSIC - Graham Fowler & Ray Stephanson
Reception: Friday December 15, 6 - 8 PM

As we close in upon the shortest and darkest day of the year, Art Placement is delighted to present an artist project that celebrates light, colour, music, and collaboration. VISUAL MUSIC is the collaborative creation of musician-composer Ray Stephanson and visual artist Graham Fowler.

Long-time friends and colleagues, Stephanson initiated the cross-disciplinary play by musically interpreting one of Fowler’s paintings. Fowler, best known for his paintings in oil, responded to Stephanson’s musical composition through a series of images developed entirely digitally. Now several years on, a large body of collaborative work has emerged from this creative back-and-forth. For the first public presentation of their collaboration, Stephanson and Fowler bring music and image together into a multi-sensory installation. Both artists have approached the project with an exploratory inquisitiveness, thinking about what a painting might sound like, or what a musical composition might look like when visualized in color, pattern, and optical movement. The resulting installation combines moving images with an immersive soundscape, connecting the eyes with the ears, the act of looking with the embodied experience of sound.

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Multi-Artist Exhibition: Holiday Group Show
Dec
9
to 17 Jan

Multi-Artist Exhibition: Holiday Group Show

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Multi-Artist Exhibition: Holiday Group Show
December 9, 2023 – January 17, 2024

Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving - featuring a variety of mediums, subjects, and styles by numerous gallery artists.

The GALLERY/ art placement

238 - 3rd Avenue South, Saskatoon

Open Tuesday - Saturday, 9:00 a.m. until 5:30 p.m. and by appointment outside of these hours. Call or email to inquire about an appointment. (306.664.3385, gallery@artplacement.com)

Shop local. Shop original.

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AKA Art Draw Fundraiser at Art Placement
Dec
8
7:00 pm19:00

AKA Art Draw Fundraiser at Art Placement

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AKA artist-run centre's bi-annual Art Draw Fundraiser returns to an in-person format on Friday December 8th and this year the event will be held at Art Placement. More than 60 works will be on offer, donated by an amazing list of incredibly generous artists, including many gallery artists.

Click here to visit AKA's website for more information about the organization and the Art Draw.

Tickets are $30 each, or 5 tickets for $125. Only 250 tickets available. Each ticket is one entry in the draw, one chance to win one of the donated works. To preview the works, they will be on display during the gallery's regular hours on December 7th and 8th.

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Greg Hardy: ELEMENTS & Doug Bentham: A Survey in Ten Sculptures
Oct
28
to 6 Dec

Greg Hardy: ELEMENTS & Doug Bentham: A Survey in Ten Sculptures

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Visit Art Placement Gallery to view Greg Hardy’s exhibition “ELEMENTS”, and Doug Bentham’s “A Survey in Ten Sculptures”, from October 28 to December 6, 2023.

Opening Reception: Saturday, October 28, 2:00 p.m. – 4:00 p.m.

the GALLERY / art placement inc.

238 3rd Ave S, Saskatoon

View the works online at: http://www.artplacement.com/gal.../exhibitions_images.php...

Greg Hardy, "As it Builds", 2023, acrylic on canvas, 60x72", $19,000

Doug Bentham, "Light For El Greco", 2012, Galvanized steel & iron, patinated brass, 37x22x10", $7,000

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Kelly Goerzen - Close to Home
Sept
16
to 25 Oct

Kelly Goerzen - Close to Home

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KELLY GOERZEN - Close to Home
Reception: Saturday September 16, 2 - 4 PM
Art Placement is delighted to present Kelly Goerzen's latest exhibition at the gallery, her first since 2017. More information coming soon.

Kelly Goerzen, "Prairie Slough", 2023, Acrylic on canvas, 36" x 48", $2,520.00  Unframed   CDN  (+ taxes)

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Multi-Artist Exhibition: Late Summer Group Show
Aug
5
to 13 Sept

Multi-Artist Exhibition: Late Summer Group Show

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LATE SUMMER GROUP SHOW
Reception: N/A
August 5 - September 13
Late summer is a beautiful time in Saskatchewan. Art Placement is pleased to celebrate the season with a group show featuring works by numerous gallery artists. Showcasing a variety of media and styles, including brand new paintings fresh from the artists' studios as well as a selection of recently arrived historical works.

Rebecca Perehudoff, "Chairs on the Beach 20",
2020, Acrylic on canvas, 36" x 36", Price available upon request.

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I AM HERE. I AM HUMAN.
Jun
28
to 2 Aug

I AM HERE. I AM HUMAN.

 I AM HERE. I AM HUMAN.
Reception: Wednesday, June 28, 6 - 8 PM
June 28 - August 2
>> click here for more information
Art Placement is pleased to host the Grade 8 Students from the Creative Action program at North Park Wilson School, as they present their collaborative exhibition, "I AM HERE. I AM HUMAN." Organized by Sheryl Salen and Seth Peters, and developed in partnership with the Saskatoon Food Bank, the art works in the exhibition touch upon issues around homelessness, poverty, social justice, and food insecurity that the students' have been researching. Non-perishable food donations for the Food Bank will be accepted throughout the run of the exhibition.

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Jane Harington & Dawna Rose: MIDDLE GROUND
May
12
to 22 Jun

Jane Harington & Dawna Rose: MIDDLE GROUND

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MIDDLE GROUND: Jane Harington & Dawna Rose
Reception: Saturday, June 10, 2 - 4 PM
May 12 - June 22
Art Placement is pleased to bring together recent works by Jane Harington and Dawna Rose, two Saskatoon-based painters mining the fertile middle ground between abstraction and representation. Both artists work mostly in oils with stylistic vocabularies that are loose, gestural, and painterly. Over the course of their careers, Harington and Rose have each explored a number of subjects and genres, including landscapes, still-lifes, florals, and figures. Recently, and independently of one another, both artists have been making work that is increasingly abstract. Their paintings maintain some connection to recognizable subjects, though that connection often slips away as the works become more about feeling, intuition, visual play, and aesthetic balance, and less about depiction or representation. The resulting works are colourful, dynamic, and engaging. The lingering essence of a subject gives the works some grounding, a sense of where the paintings began. The finished paintings allow us to appreciate the creative journey that brought each work to its conclusion.

Jane Harington Artist Statement:

I always find it hard to describe my work. Large floral seems somehow inadequate yet, that is what they are. I’ve tried to leave the floral reference out but then am left with ‘abstract with floral undertones’ - not quite right either! So I’ve decided to embrace the massive floral overtones of this new series and celebrate their joie de vivre.

Several of this series are diptychs or companion pieces. The balance and flow between them working with the energy and expressiveness of each piece. There’s a quiet against a dense entanglement, a breath against a riot. They are all reflective of my interior monologue - the voice in my head, the sound of my thoughts. The constant wonder and worry that is our world and how to understand, navigate and process it.

Painting is deeply meditative for me. I paint quickly, with rapid brushstrokes, making marks that lead me into the work. Often, I reach a dead end but there’s always another mark, another way to bring me back to the surface, to the beauty, to the lushness, to the mystery.

Dawna Rose Artist Statement:

This latest series, Rock/brain, began in August 2021 at a Pouch Cove foundation residency in Newfoundland. I had a couple of small panels with me that morphed into rock mound shaped abstracts. The paintings were influenced by the environment I was in and my daily walks along the East Coast trail which was a mere 15 minutes from my studio. Concurrently I had begun a meditation course which I accessed daily online through an app. The app not only conducted a daily 20 minute meditation but had innumerable talks about neurology and the brain which I found quite captivating having never really investigated my own.

Upon returning to Saskatoon I continued to transform both new and old panels into these lump like shapes, structures similar to the paintings I had started in Pouch Cove. Initially the paintings seemed like landscapes, or lumps in a landscape but eventually the shape reminded me more and more of brains ( with a lot of stuff going on inside them) placed in a space. I admit to listening to the meditation app while painting. Sometimes they reminded me of portraits, obviously not traditional ones but rather more like brain scans. This work grew to include 38 panel pieces of various sizes that I travelled around Saskatoon with to three different residencies over the past 6 months. I worked on all the panels simultaneously. The working method was a form of addition and subtraction. Sometimes adding paint and sometimes using solvent or a palette knife to remove paint. Each decision on each piece created a subsequent decision. The narrative and physical structure of the painting became slightly less important as the process of painting took over but the final work would not have had the same emotional or visual heft for me if they hadn’t started with the lump, the landscape and the inner workings of a mysterious brain.

Jane Harington, "Undone", 2023, Oil on canvas, 24" x 24", $1,850.00  Unframed   CDN  (+ taxes)

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CATHERINE PEREHUDOFF-FOWLER
May
12
to 22 Jun

CATHERINE PEREHUDOFF-FOWLER

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CATHERINE PEREHUDOFF-FOWLER
Reception: Friday, May 12, 6 - 8 PM
May 12 - June 22
Art Placement is delighted to announce Catherine Perehudoff-Fowler's upcoming solo exhibition, her first at the gallery since 2014.

Catherine Perehudoff-Fowler is a second generation prairie landscape artist inspired by the expanse of the Western prairies, the natural splendor of the northern forests, mountains, and lakes, and the romance of the Atlantic seashore. Her atmospheric paintings in watercolor and acrylic are exquisitely detailed, each stroke of vibrant colour delicately placed with meticulous precision. Paying particular attention to the subtle nuances of light and weather, her paintings capture the ethereal, atmospheric essence of each particular place. 

Catherine Perehudoff-Fowler grew up in a home with art and artists, which encouraged her to take up painting herself from a young age. Her education in the Fine Arts began when she studied Painting and Textile Arts at Voss Folkehogskule in Norway. Returning to Canada, she completed a BA in Art History at the University of Saskatchewan, which solidified her interest in becoming a landscape painter. An avid traveler, the many places Perehudoff-Fowler has lived and visited are reflected in the diversity of her landscapes. Over the course of her nearly four-decade-long career she has exhibited in art galleries, museums, and art fairs across Canada and internationally in London, England; Voss, Norway; Paris, France; various cities in Italy; and the USA. Her works have been collected by numerous individuals, institutions, and corporations in Canada and abroad.

Catherine Perehudoff, "Coastal Flowers",
2016, Acrylic on canvas, 30" x 36", Price available upon request. Inquire

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Yuka Yamaguchi: Kaleidoscope Minds
Apr
1
to 11 May

Yuka Yamaguchi: Kaleidoscope Minds

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YUKA YAMAGUCHI - KALEIDOSCOPE MINDS
Reception: Saturday, April 1st, 2 - 4 PM.
April 1 - May 11
Art Placement is delighted to present "Kaleidoscope Minds” a solo exhibition of Yuka Yamaguchi’s colour pencil drawings from 2017 - 2023.

Yuka Yamaguchi is a self-taught visual artist from Kobe, Japan. She moved to Canada in 2000, settling in Saskatoon in 2005. Colour pencils and paper are her medium. Her drawings are developed intuitively, without pre-planning. She believes in the power of the unconscious mind and, in one sense, her art is a way for her to explore the relationship between body and mind. She has exhibited her work regionally in Saskatoon and Edmonton, and internationally in Tokyo, Los Angeles, Berlin, Portland, San Francisco, and Taipei.

Artist Statement:

I draw what I find attractive at the time. As I draw, I start to see more images in my head: from nature, people around me, and random everyday objects. They are like many dots floating in my head, combining in different ways depending on my point of view, changing shapes in my mind like a kaleidoscope.

Yuka Yamaguchi, "No strings attached", 2022, coloured pencil on paper, 18" x 21", $1,995.00  Framed   CDN  (+ taxes)

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Multi-Artist Exhibition: Spring Group Show
Apr
1
to 11 May

Multi-Artist Exhibition: Spring Group Show

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SPRING GROUP SHOW
Reception: N/A
April 1 - May 11
Celebrate the changing of the seasons with a collection of spring-themed works. Featuring select paintings, drawings, and mixed media works by Reta Cowley, Jennifer Crane, Jonathan Forrest, Lynne Graham, Clint Hunker, Dorothy Knowles, William Perehudoff, Alicia Popoff, and Les Potter.

Alicia Popoff, "Garden Meditations", 2003, Acrylic on Paper, 18" x 22 1/4", $1,725.00  Framed   CDN  (+ taxes)

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Community, Connections, and ______________
Feb
21
to 25 Mar

Community, Connections, and ______________

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Community, Connections, and ______________.
CLOSING RECEPTION: Saturday, March 25th, 2 - 4 PM.
February 21 - March 25
Art Placement is pleased to host the exhibition, "Community, Connections, and _____________", curated by Kelsey Ford, Lauren Warrington, and Emily Zdunich, the members of Biofeedback Collective. The show is a culmination of The Community Project, a year-long series of events, gatherings, and activities undertaken by the Collective and art placement.

Curated by Kelsey Ford, Lauren Warrington, Emily Zdunich (Biofeedback Collective)

"Community, Connections, and __________. is an exploration of human interactions and artistic practice situated in the Saskatoon community. The exhibition is created in response to The Community Project, a multifaceted year-long collaborative initiative by Biofeedback Collective and The Gallery/ Art Placement.

The fill-in-the-blank title encourages exploration upon viewing. The blank area holds space for changing perspectives and developing ideas, similar to how community shifts and grows over time. Conversations, Collectivity, Exchange, Reflection, and Relationships are words that personally resonate with our experiences throughout the project.

The exhibition includes artists who have participated with The Community Project’s Feedback Sessions, Open Studio, and Get Togethers. Our intention was to consider and bring forward the dialogue between artist’s, their works, and the evolving art community. Featuring new and recent works by Alison Norlen, Alexa Hainsworth, Biofeedback Collective, Breanne Bandur, David Stonhouse, Emilie Neudorf, Gabriela Garcia-Luna, Gabby Da Silva, Jessica Morgun, JingLu Zhao, Karen Polowick, Rebecca La Marre, Robert Christie, and Susan Clarke.

The Community Project was a series of events, workshops, and activities to support and build connections among artists in Saskatoon. The Community Project was co-developed by Biofeedback Collective and art placement. We gratefully acknowledge funding from SK Arts through their Artists in Communities Grant Program.

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Laura St. Pierre: where the light gets in
Jan
14
to 16 Feb

Laura St. Pierre: where the light gets in

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LAURA ST.PIERRE - where the light gets in
Reception: Saturday, January 14 2-4PM
January 14 - February 16


Art Placement is pleased to present "where the light gets in", Laura St.Pierre’s first solo exhibition at the gallery. St.Pierre’s latest photographic images and mixed media sculptures revolve around a fictional character, The Sower, who tends to her crops amidst inhospitable conditions. Portrayed by the artist herself, The Sower traverses barren and crumbling urban and industrial landscapes, erecting makeshift plastic structures that offer dubious shelter for her crops.

St.Pierre’s surreal images exist outside of any one specific time and place. Costume and narrative suggest a dystopian future, though the sites are also familiar; if this is the future, it is not that far removed from the present. True to the spirit of science fiction, her speculative visions of the future invariably turn a lens back onto the present. Touching on dire contemporary themes including climate change and food insecurity, her work embraces the gravity of these issues without abandoning optimism. Potentially bleak in palette and tone, The Sower’s light nevertheless shines through. Her labour, against the odds, is an act of resistance, perseverance, and ultimately hope. 

Laura St.Pierre is a visual artist who works with photography, installation, and video from an ecological perspective. She holds a Master of Fine Arts Degree from Concordia University. She has exhibited her work across Canada in Saskatoon, Regina, Edmonton, Calgary, Winnipeg, Montreal, and Toronto. She currently lives and works in Saskatoon, where she teaches part-time at the University of Saskatchewan.

Laura St Pierre, "Heat and Light/ Chaleur et lumière( ed 1/7)",
2022, Archival Inkjet on Hahnemuhle Photo Rag, 15 1/2" x 12", $1,325.00  Framed   CDN  (+ taxes)

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Winter Group Show
Jan
14
to 16 Feb

Winter Group Show

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Winter Group Show

2023 begins with a group show of select works and recent arrivals. Featuring paintings, drawings, and mixed media works by several gallery artists including Kathy Bradshaw, Cory Chad, Louise Cook, Ruth Cuthand, Jordan Danchilla, Lorenzo Dupuis, Allyson Glenn, Lynne Graham, Greg Hardy, Jane Harington, Iris Hauser, Clint Hunker, Robert Hurley, Denise Flaman, Steph Krawchuk, Nancy Lowry, Rebecca Perehdudoff, Les Potter, Ian Rawlinson, Dawna Rose, Betsy Rosenwald, Lorna Russell, Allen Sapp, and others.

Allen Sapp, untitled, 1967, acrylic on panel, 24 x 42 in.

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Small Works Holiday Show
Dec
9
to 24 Dec

Small Works Holiday Show

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SMALL WORKS - HOLIDAY SHOW
Reception: N/A
December 9 - December 24
Art Placement is pleased to present a year end showcase of small-scale works, all perfectly sized for holiday gift giving. Featuring a variety of mediums, subjects, and styles by numerous gallery artists. Stop by the gallery during our regular hours to take in all of the little treasures. If something catches your eye in the following images, give us a call or send an email.

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Robert Christie: Shuffle
Nov
19
to 31 Dec

Robert Christie: Shuffle

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ROBERT CHRISTIE - SHUFFLE
Reception: Saturday, November 19, 2 - 4PM
November 19 - December 31
Art Placement is pleased to present Robert Christie’s latest exhibition, "Shuffle". Christie is a prominent painter in Saskatoon who has made countless contributions to the arts in the city and beyond for more than fifty years. Emerging as a painter in the late 1960s when modernist formalism prevailed locally and internationally, Christie remains grounded in the fundamental elements of the medium. Like a deck of playing cards that can be shuffled into an incomprehensibly large number of unique combinations, the elements of painting offer Christie a similarly inexhaustible array of possibilities.

Robert Christie continues to “shuffle the deck” in his latest suite of geometric abstractions. His signature aesthetic remains reduced and minimal with an elegant simplicity that masks an underlying complexity. Christie is a painter who invests significant time and labour into his work. It is not uncommon for some pictures to remain in progress for months or even years and for their final outcomes to be drastically different in colour and composition from where they began. The layers of paint that accumulate in Christie’s paintings give a richness and character to the final surfaces, which are subtle but complex, rewarding those who look intently. Christie’s rigorous, discerning approach searches in each painting for an outcome that both surprises and sustains; an arrangement of shapes, colours, and textures that not only grabs our attention, but also holds it.

Robert Christie was born in Saskatoon in 1946. He studied at the University of Saskatchewan and was a frequent participant at the Emma Lake Artists’ Workshops starting in 1969. His paintings have been presented in numerous solo and group exhibitions throughout Canada since 1969 and his work is represented in both public and private collections throughout Canada and abroad.

View the exhibition online here.

Robert Christie, "Playground", 2022, Acrylic, plywood on canvas, 66" x 60 1/2", $12,000.00  Framed   CDN  (+ taxes)

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Iris Hauser: Grounded in the Body
Oct
8
to 17 Nov

Iris Hauser: Grounded in the Body

Iris Hauser: Grounded in the Body
October 8 - November 17
The GALLERY / art placement inc.
238 - 3rd Avenue South, Saskatoon

Reception: Saturday, October 8, 2 - 4 p.m.

Art Placement is pleased to present celebrated Saskatoon artist Iris Hauser’s first solo exhibition at the gallery, "Grounded in the Body". The exhibition highlights a selection of works drawn from the last several decades of Hauser’s production with a particular emphasis on recent works from the past two years, a period that has been one of the most prolific of her accomplished and lengthy career. Throughout the selection of works, recent and past, the body dominates; an endlessly inspiring subject through which Hauser weaves a tapestry of intersecting ideas and themes.

Iris Hauser is a figurative painter who has committed herself to the subject for more than four decades. Her paintings combine high realism with allegory and symbolism to achieve a self-conscious, contemporary take on surrealism. Despite the realistic rendering of the figures and forms in her paintings, there is an unmistakable artificiality to Hauser’s scenes; these are not snapshots of every-day life, but intentionally composed tableaux with symbolic and allegorical heft. These paintings are constructed, in every sense of the word, using pieces of reality that are then reconfigured into something that goes beyond, reaching into the realms of spirit and intellect. This body of work places the human figure as an expressive element within recent explorations in the painter’s lexicon of colour, composition and style.

Also included in the exhibition are a collection of benches by Zach Hauser, Iris Hauser's longtime partner in art and life. Both artists are also celebrated in the exhibition, Duet: A Partnership in Life and Art, on view concurrently at the Saskatchewan Craft Council Gallery from September 3rd to November 12th. Click here for more information about the exhibition at the Craft Council.

Click here to learn more: http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=288

Iris Hauser, "The Last Gleaming", 2021, Oil on canvas, 39 1/2" x 33 5/8", $2,300,  unframed 

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Jordan Danchilla: Those Days, These Days
Aug
30
to 6 Oct

Jordan Danchilla: Those Days, These Days

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Jordan Danchilla: Those Days, These Days
August 30 - October 6
The GALLERY / art placement, Saskatoon

Reception: Thursday, September 1, 6:00 pm to 8:00 pm.

Art Placement is delighted to present "Those Days, These Days", the first solo exhibition by Jordan Danchilla at the gallery. The sprawling installation of paintings, drawings, collages, mixed media works, objects, and assemblages speaks to the multiple and varied ways that Danchilla filters the world through his art.

Danchilla's works defy easy classification, both in terms of medium, as well as their place on the spectrum between representational and non-objective art. His creative process is exploratory and experimental, driven by curiosity and a seemingly irreverent approach to images. He has developed an expansive visual lexicon that incorporates a diverse range of influences and references, everything from canonical masters of western art, to street signs, book covers, and produce labels to name a few. He transforms this source material into two-dimensional wall works that are not strictly paintings, drawings, collages, or prints, but rather they often combine elements and application techniques borrowed from some or all of these disciplines and others. A single work typically combines a variety of materials as well, everything from acrylic, oil, latex, Flashe, and watercolour paint, to wood, tape, cardboard, paper, graphite, felt, fabric, and more. Filtered through Danchilla's aesthetic lens, these diverse works achieve a stylistic unity that is grounded in his meticulous attention to process and materials. 

Jordan Danchilla is a Saskatoon-based artist who works in a variety of two and three-dimensional media. He studied printmaking at the University of Saskatchewan and is primarily self-taught in other media. He has exhibited his work since 2013 and his works have been collected by individuals in Canada and abroad.

Check out their website for more information: http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=286

Jordan Danchilla, "Pineapple Venus", JD119
2012-2022, oil transfer drawing on muslin, pochoir on linen, 10-1/4" x 10-1/4", $650.00 Unframed CDN (+ taxes)

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Ian Rawlinson: Hopeless Romantic
Apr
23
to 11 Jun

Ian Rawlinson: Hopeless Romantic

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Ian Rawlinson: Hopeless Romantic
April 23 - June 02
The Gallery / art placement inc., Saskatoon

Reception:
Saturday, April 23, 2-4 p.m.
Please wear your mask in the gallery.

Saskatchewan Art Gallery Day, June 11
Meet the Artist, 1-3 p.m.

Click here to learn more about the exhibition and view the works online:
http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=276

Ian Rawlinson, “Fading Summer Storm”, acrylic on panel, 16x16”, $900 (+ taxes), unframed

Ian Rawlinson, “The Gateway”, 2021, acrylic on panel, 20x20”, $1,200 (+ taxes), unframed

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Multi-Artist Exhibition: Group Show
Apr
21
to 11 Jun

Multi-Artist Exhibition: Group Show

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Group Show
April 21 – June 11
The GALLERY / art placement inc., Saskatoon

Art Placement is pleased to present a Group Show featuring a selection of brightly coloured works by gallery artists, including Donald Bird, Robert Christie, Jordan Danchilla, Lorenzo Dupuis, Jonathan Forrest, Greg Hardy, Steph Krawchuk, Nancy Lowry, Dawna Rose, William Perehudoff, and Lorna Russell.

Click here to view the works online: http://www.artplacement.com/gallery/exhibitions_images.php?ex_id=278

Gregory Hardy, “Cumulus Building Over Steel Grey Water”, 2018, acrylic on linen, 48x66”, Price available upon request. Inquire.

Lorenzo Dupuis, “Quantum Field #54”, 2021, watercolor and ink on archival paper, 8x6”, $525 (+ taxes), framed

Robert Christie, “Lemon Twist”, 2021, acrylic/plywood on canvas, 53x53”, $8,500 (+ taxes), framed

Lorna Russell, “River #3”, 1974, oil on canvas, 32x38”, $2,300 (+ taxes), unframed

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